A Crash Guide for Using RCM in Resolve for VFX

Do turnovers to and from VFX need to be difficult? It can seem like it at times. Editors benefit from working in ProRes or DNxHD, while Nuke & Fusion Artists work best with DPX or EXR image sequences. Additionally, the color pipeline between editing and VFX is rarely easy. Thankfully, Tony Gallardo has our backs. In this presentation, Tony will walk you through how to use Resolve Color Management to significantly simplify turnovers between editorial & VFX.

For the past 15yrs Tony ran a production company in South Texas. Directing, Editing & Motion Design on the creative side to Producing, Budgeting, Account Executive’ng on the logistics/managing side.