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In this set of videos we focus on creating a balanced soundtrack from the various sound sources in a film project - dialogue mics, ambience, foley, sound effects, and music. We look at fixing phasing issues, sorting and determining the best source mic for each performance, and repairing flubbed audio without having to resort to automated dialog replacement.

 

Introduction
Organizing Clips
Solving Phase Issues
Basic Editing
Taming Audio Sources
Fixing Flubs