In dramatic works, what typically is the primary driver of story progression?

In the context of scene editing, what separates surprise from suspense, according to Alfred Hitchcock?

What camera movement technique is referred to as an “Axial cut” by directors and editors?

Adding a pause (either in dialogue or action) to a scene achieves what effect?

What is the downside of using a Master Scene approach, in the context of storytelling?

What does ‘subtext’ stand for, in the context of film/tv editing?