The RED One, the Epic and the Scarlet have revolutionized the world of Digital Data Acquisition. But what are Digital Data files? What are REDCODE RAW and Digital Negative (DNG)? Most importantly what do I need to know to successfully work with this file format?

In this webinar we will explore all of the above and take a look at working with RED Cam footage with the most widely used Non-Linear Editors – Avid Media Composer, Apple Final Cut Pro and Adobe Premiere Pro.

• What is a REDCODE RAW DNG file
• Understanding Image Data & Meta Data
• RGB vs. Bayered Images & Debayering
• Overview of RED Tools – Red Alert, RedCine, Red Rushes
• Transcoding Concepts & Some Common Codecs vs. Using Native RED Raw
• Hardware Configurations, Minimum Requirements & RED Rocket Cards
• RED and the Non-Linear Editor (Avid, FCP, Premiere)
• Setting Up Projects and Importing Content
• Conforming and Finishing Principals
• RED and DATA Workflow Resources